Tom Bree – Pyramid Geometry in Gothic Cathedral Design

Tom Bree – Pyramid Geometry in Gothic Cathedral Design


Why the fascination with the Great Pyramid?

 

The Great Pyramid is one of the most famous pieces of architecture in the world. It holds a very significant place within the occultist and new age ideas of more recent centuries. But when did this fascination with the Great Pyramid first reach western Europe? This talk will look at one possible answer to such a question in relation to the use of pyramid geometry in 12th century Gothic cathedral design. It will also address the question of where medieval Christendom gained such knowledge from and whether it pre-dates the development of Christianity in the British Isles.

About the speaker:

 

Tom Bree 2

 

Tom Bree is a Geometer-Artist, Teacher and Writer. He studied Sacred Geometry under the Master Geometer Professor Keith Critchlow at the Prince’s School of Traditional Arts in London. He now teaches at the Prince’s School as well as for many other educational projects both here in the UK and abroad. Tom is very close to publishing 12 years of research about the Quadrivial design of the first English Gothic Cathedral (Wells) and how the design incorporates various cosmic ascent myths that were so prevalent within the Christian-Platonism of the twelfth century church.


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Date

Wed, 15 March 2023
Event has passed

Time

7:00 pm - 8:30 pm

Local Time

  • Timezone: America/New_York
  • Date: Wed, 15 March 2023
  • Time: 3:00 pm - 4:30 pm

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Season Ticket,
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Location

Online
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Speaker

  • Tom Bree
    Tom Bree
    Geometer-Artist, Teacher, Writer

    Tom Bree is a Geometer-Artist, Teacher and Writer. He studied Sacred Geometry under the Master Geometer Professor Keith Critchlow at the Prince’s School of Traditional Arts in London. He now teaches at the Prince’s School as well as for many other educational projects both here in the UK and abroad. Tom is very close to publishing 12 years of research about the Quadrivial design of the first English Gothic Cathedral (Wells) and how the design incorporates various cosmic ascent myths that were so prevalent within the Christian-Platonism of the twelfth century church.